Everyone wants love but no one can seem to get it from the right place in director Jorge Ramirez Suarez's urban romantic comedy. I already had that feeling to see them interact on the set and it has been confirmed when I have seen the film, brings me to mind that great performance of that mature couple in the fiction played by Francesc Garrido and Nora Navas in “La adopción” by Daniela Fejerman. Audio track — is a set of recorded sounds combined into one or more channels.
In the technical section you can analyze interesting aspects; the cinematography by Angel Amorós with that effective game of lights, those camera movements following the characters wanting to show a near direct follow-up of the action by the audience part to give a greater “nouvellevaguiano” realism, or those close shots of continuity that bring so much dynamism to the action. If we have succeeded in bringing back to his memory that first love”. To Love As a young girl Ana was a rebellious child. Welcome to the real world.
The screenplay was written by the director with Mario Fernández Alonso. For us it was an enriching experience, since we were able to discover what is a filming shooting from inside, as well as meet and talk with the director, the actors and the rest of the technical team. Adam's a filmmaker. Looking for something to watch? Soundtrack Credits . Also in short roles but with good vibes appear the young beginners Maria Caballero, Paz Muñoz and Jorge Silvestre, or the veterans already established Antonio Valero, Gustavo Salmerón, Nacho Fresneda, Sonia Almarcha, Juli Mira or Marta Belenguer.
is distributing the film in Spain, whilst Global Screen will handle sales.
Add the first question. In the Mexican-Guatemalan border, young teenage lovers, Sabina and Jovany, both Hondurans, accidentally meet again after some years without seeing each other. Governor Vargas worried about... See full summary ». 20/04/2017 - The debut feature film by Spanish filmmaker Esteban Crespo respectfully, aesthetically and sensitively explores the overwhelming, intense and extremely fragile subject of one’s first love. As the character of Natalia Tena says: “What you need is to give you space, Laura is too young to have a boyfriend so seriously and so do you. Now an adult, she is once again tormented by shadowy, other-worldly forms. Also to highlight the very successful choice of the two main musical themes of the film, that “Get free” by the American superband Major Lazer, choosed even in the different promotional trailers and “We might be dead by tomorrow” by Soko, both songs with very significant titles that fit perfectly with the a storyline and the message that transmits the film. Amar starts on a high, as the scene that opens it, shot in a clean room flooded with light and bright colours, shows the absolute devotion, with no prejudice or fear, of a young heterosexual couple: Laura and Carlos, as they bravely experiment with their sexuality, placing blind faith in one another. Without stooping to morbidity or carnal exhibitionism, Crespo introduces his camera into the intimate relationship between these two young people who believe they’ve each found the love of their lives, with their recognisable moments of escape, protest, doubt, impetuosity and rebellion that come with it. View production, box office, & company info, Rated R for strong sexual content, nudity and language throughout, Vikram's next with Ajay Gnanamuthu titled 'Cobra', motion poster out. In this love trip in which the audience becomes a mere voyeur, intentioned with success by the filmmaker, of that young passion of a strong intensity that approaches to the obsessive, will arise the insecurity, the fears, the jealousy and the collide with the reality that is the inexorable step before the maturity. The Generalitat Valenciana via CulturArts, in addition to the ICAA, TVE and Netflix, also have played a significant role in the production. Carlos and Laura are two kids entering into adulthood, leaving behind their delusions, dreams and truths to slowly but surely embrace contradiction, trickery and betrayal. With María Pedraza, Pol Monen, Natalia Tena, Greta Fernández. Whether Susana is turning down Carlos, Joel is bending over backwards for Patricia, Gabriel is waiting for Martha, or Amando is trying his luck with an American girl, everyone seems to be unlucky in love as passions flare south of the border. In a desperate attempt to restore some sense of vitality to his lonely existence he embarks on a series of impulsive ... See full summary », The International Emmy® award-winning series comes to its fourth and final season. Laura and Carlos love each other as if every day was the last, and perhaps that first love intensity is what will tear them apart a year later. The role of the young Madrid actress, model and professional classical dancer, María Pedraza, has been highlighted in many different media, but Pol Monen is rise to the challenge in my opinion, both have a great chemistry on the screen and this is not necessary, it’s trivial for make the film works, and the truth is that it works. In order to take care of her sisters, she become a ... See full summary ». Everyone wants love but no one can seem to get it from the right place. And so the light we see at the beginning of Amar gradually fades away, as the characters enter more industrial, dark and chaotic environments and situations. La primera vez Written by Gerardo Garza Chetes Performed by Gerardo Garza Chetes. First incursion in the feature film of its director Esteban Crespo, responsible for one of the most awarded short films in the history of Spanish cinema: “Aquel no era yo (That wasn’t me)” (2012) with more than 94 national and international awards including a nomination to the Oscar for the Best Live Action Short Film and the 2013 Goya Award in the same category. With Luis Ernesto Franco, Diana García, Tony Dalton, María Aura. Duele Amar - Capitulo 163, Duele Amar - Capitulo 163, Duele Amar - Capitulo 163
According to the director Esteban Crespo’s own words in the making of the film: “I think we will be satisfied if we can create the feelings in the viewer that he had when he was in love for the first time. The story tells the course of that first great passionate love in the adolescence of Carlos (Pol Monen) and Laura (Maria Pedraza), young lovers of 18 and 17 years respectively, that they love each other as if every day was the last, a love that sometimes surpasses them but that totally fills their lives and has become the leitmotif of their existences. Did you enjoy reading this article? A graduate student preparing his thesis on mythology leads his friends on a research expedition to an old plantation estate on the outskirts of the Big Easy. This FAQ is empty.
Maybe for a few moments can give the impression, personally don’t think so, that the film uses a modern aesthetics like it was a video clip as in the sequence of the party or in some moments of the footage but always this aesthetic justified to tell a story and not the opposite, and that’s consists the cinema…. The cast is completed by Natalia Tena, Gustavo Salmerón, Greta Fernández, Antonio Valero and Nacho Fresneda. Almost a year ago, in May 2016, we had the privilege of being invited to the shooting of the film, shot entirely in Valencia, thanks to the courtesy of Avalon and especially its head of press Paula Álvarez. Choose an adventure below and discover your next favorite movie or TV show. Laura and Carlos mature and lose faith in pure feelings, but will always remember those moments they spent together as one, unique, pleasant, and once in a lifetime. A tormented man living the double life of a criminal and a family man, SR. ÁVILA is a very complex ... See full summary », TV MX, the most powerful Mexican Television Corporation, discloses a scandalous story involving Governor Carmelo Vargas in serious crimes and illicit business. Esteban Crespo (Madrid, 1971) wrote the screenplay for Amar [+see also: trailerinterview: Esteban Crespofilm profile] years ago, but as he couldn’t make it into a film, he extracted a couple of scenes and used them to make his first short films back in 2005: Siempre quise trabajar en una fábrica and Amar. This process occurs when the elements of image are edited in final version. The site is reputed to mysteriously cause madness and death to all who enter it. Anyone who has seen these will recognise their themes and characters in this debut feature by the filmmaker, which was presented in the official selection in competition at the 20th Málaga Spanish Film Festival, even though the actors are different: in the short film Amar, it was Aida Folch and Alberto Ferreiro who played the characters, with original variations on their sexual roles, whereas this time we have first-time actress but well-known instagrammer María Pedraza and Pol Monen (Los niños salvajes [+see also: trailerfilm profile]) in the opening scene of this film.