(5.2.201-203). Hamlet is going to watch Claudius’ reaction to the play. (you know where I’m going to go with this, right?). Even if “man’s nature” gravitates toward revenge, society’s “law (ought) to weed it out” (think back on Hamlet’s vision of the world as an “unweeded garden” [I.ii.135]). Hardly mentioned at all, there was another character in Hamlet that received his revenge … They are going to try and convince Hamlet to battle with Laertes. Even though countless scholars have researched it, the play ultimately leaves them puzzled.
Nevertheless, the consuming nature of revenge causes the downfall of many, which is inevitable.
In William Shakespeare's Hamlet, several of the characters feel [...], Throughout the play of hamlet we see the theme of revenge in use, Revenge which is one of the biggest themes in hamlet as it is the biggest revenge play ever.
Literary Definition and Examples, Tragic Flaw: Literary Definition and Examples, M.A., Theater Studies, Warwick University, B.A., Drama and English, DeMontfort University.
This was a big part in leadings to Ophelia’s death, her father’s death pushed her to her breaking point. ‘The King is a thing’, Hamlet retorts to Rosencrantz, ‘Of nothing’ (4.2.28–30) before proceeding to prove to Claudius ‘how a king may go a progress through the guts of a beggar’ (4.3.30–31). Hamlet is ready to seek his revenge but he faces many obstacles.
And of course, he is now seeking revenge. Now, out of this? Hamlet turns revenge tragedy on its head by taking away the usual obstacles to the hero’s vengeance. Shakespeare seems to have borrowed the basic elements of the play’s revenge plot from the version of the tale he read in François de Belleforest’s Histoires Tragiques, a tale Belleforest had found in Saxo Grammaticus’s collection Danorum Regum heroumque Historiae. Through the character of hamlet, the theme of revenge can be studied philosophically. The final plan is for Laertes to us a sharpened sword instead of a dull fencing sword.
Acutely aware that the part is a theatrical cliché, he strives repeatedly to stick to the stage revenger’s script, whipping himself up into a melodramatic rage whenever his resolution flags: ‘Now could I drink hot blood, / And do such bitter business as the day / Would quake to look on’ (3.2.390-92).
Francis Bacon, English author and philosopher (and contemporary of Shakespeare), wrote in his “Essays, Civil and Moral”: REVENGE is a kind of wild justice; which the more man’s nature runs to, the more ought law to weed it out. But what if we proceed on the opposite assumption? Don’t waste time! A.C. Bradley, for example, diagnosed the prince in his influential study Shakespearean Tragedy as afflicted by the form of depression called melancholy in Shakespeare’s day, taking his cue from Hamlet’s remarking ‘I have of late – but wherefore I know not – lost all my mirth’ (2.2.295–96). In Bacon’s view, if true justice is civil and moral (to use the overarching title of the essay collection), then revenge is uncivilized, “wild,” low, and base. Sadly, it is something people will encounter in their everyday life. These three characters are developed under their insuppressible urge for vengeance. It shows us Hamlet, a young man whose apart of the royal family of denmark whose father had wrongfully been killed by his uncle, [...], Revenge can cause one to be blinded through rage, rather than through understanding.
Revenge is an emotion easily rationalized; one turn deserves another.
A whole act later, Hamlet is still at a loss to explain why, ‘laps’d in time and passion’, he still ‘lets go by / Th’ important acting’ of his father’s ‘dread command’ (3.4.107–08). Click to share on Twitter (Opens in new window), Click to share on Facebook (Opens in new window), Click to share on LinkedIn (Opens in new window), Click to share on Reddit (Opens in new window). In conclusion, wanting revenge did nothing but make things worse for everyone causing many deaths.
What’s wrong with all these attempts to account for Hamlet’s delay – including Hamlet’s own conjectures – is the same fundamental misconception. As a direct or indirect result of his procrastination, Hamlet slays Polonius instead of Claudius; Ophelia goes mad after her father’s murder and drowns; Rosencrantz and Guildenstern are dispatched by Hamlet to their deaths; and in the play’s climactic duel Hamlet’s mother drinks from the lethal cup intended for her son, who is fatally wounded by Laertes in revenge for the deaths of his father and sister. His way to seek revenge is an active way when Hamlet’s revenge is first worked out in his thoughts.