ARRI introduces four Signature Zoom lenses: 16-32 mm T2.8; 24-75 mm T2.8; 45-135 mm T2.8; 65-300 mm T2.8 (110.5-510 mm T4.95 with dedicated 1.7x extender) They cover Large Format / Full Frame and have LPL mounts (44 mm flange focal depth, 62 mm inside diameter.) While most Signature Primes exhibit no visible focus breathing, Signature Zooms do show some of this at longer focal lengths, where it is less noticeable to the eye. The four Signature Zooms, plus an extender, cover a focal length range of 16-510 mm – the widest on the market. I really enjoyed the form factor and the sharpness of the Signature Zoom lenses. These are lenses for the high-resolution digital era. Chief among these is their advanced optical design and the use of machined magnesium in their housings. It surprised me, and this is something that changed my mind about zoom lenses. A wider diameter and shorter flange focal depth allow LPL lenses to be small and lightweight, with a fast T-stop and pleasing bokeh—a combination of features that would not be possible with the old PL lens mount. These are revolutionary zooms that have solved the problems of zoom lenses. We can only guarantee mechanical clearance for these two lenses, so please don’t use the extender with any other lenses. It delivers its best optical performance with just those (and only!) When I switched from Signature Primes to the 45–135 mm Signature Zoom, I didn’t see any difference with output quality. two lenses. As a bonus, the extender … Copy link. If the zooms and primes match perfectly, I don't have to worry about color when multiple cameras are in use on set. ARRI has just announced a range of Signature Zooms that have been specifically designed to match the Signature Primes. After trying Signature Zooms, I've found that their exceptional image quality, fast T-stop, and close-to-zero distortion are a perfect match for the Signature Primes. LPL is the new standard for the digital era. ARRI announced its range of Signature Zooms in September last year. Overview; Master Prime Lenses; Master Macro 100; Master Anamorphic Lenses. The T2.8 stop and superior optical quality make these my first choice. Configuration Overviews – The complete ARRI catalog The modern ARRI equipment has become … + 1.7x Extender. Owner-Operator and cinematographer Michael Dwyer has been a big fan and user of the ARRI Signature Prime lenses. ARRI Signature lenses are multi-format lenses. ARRI Signature Zoom Showreel "The Heist". Designed for any large-format or Super 35 camera, they are uniformly fast at T2.8 and offer an unrivalled focal length range. They are high-resolution lenses, but this does not equate to a clinical look. Auch ARRI hatte sein Ohr am Markt und will im kommenden Jahr vier neue Signature-Zooms für Vollformat und S35-Kameras bringen. Test footage shot in Tokyo with the new ARRI Signature Zooms.The lenses used were:16-32mmT2.845-135mm T2.865-300mm T2.8 & 1.7x Extender The resolution of the ARRI Signature Zooms is very high, and yet skin tones are natural. Schließlich neigen viele aus Sicht von Arri dazu, die Aberrationen zu übertreiben, was zu Problemen in der Postproduktion führen könne. In this video, he tests the Signature Zoom lenses and gives his impressions. Shopping. Remote Phosphor Panels, Panel Carrying Bags, Conversion Filters, Softboxes, Accessory Holders & Speed Rings, Tiny Studio - No Automation - Stellar Control, Medium Studio - Full Automation - Redundant DMX Control, Small Studio - No Automation - DMX Control, Large Studio - Semi-Automated - IP and DMX Control, Medium Studio - No Automation - DMX Control, Large Studio - Semi-Automated - Redundant IP and DMX Control, Medium Studio - No Automation - Redundant IP and DMX Control, Software and Firmware Updates for Cameras, Software Update for Wireless Video System, Certified Training for Lighting Fundamentals, Rear diopters create a vintage canvas for ARRI Signature Prime lenses on Pepsi commercial, ARRI Multicam captures “Stay Live” concerts, ARRI technology and services behind Oscar® gold, ARRI ALEXA Minis and AMIRAs add cinematic imagery to Super Bowl Halftime Show, No ramping – consistent exposure through all focal lengths, Unchanging image quality across the zoom and iris ranges, The high image quality means these zooms can be used in more situations, saving time, Shaped and honed flares mean fewer delays, Exceptional close-focus means reduced lens changes, Designed for any format up to full frame and any camera, Ideal for HDR, with superb color rendition and shadow detail, Consistency of look and quality across all four zooms, System covers 16 mm to 510 mm (with extender), Largest focal length range in the industry, Wide field of view with minimal distortion, Close focus: 19.4 cm / 7.6” (MOD from lens front), An all-rounder lens covering most shooting needs, Front diameter: 114 mm (same as Signature Primes), Close focus: 41 cm / 16.2" (MOD from lens front), Compact, lightweight and well-balanced for handheld and stabilizer systems, Close focus: 65.6 cm / 25.8" (MOD from lens front), Stunning bokeh that matches the Signature Primes, Close focus: 133 cm / 52.5” (MOD from lens front), Significantly extends the reach of the Signature lens family, Turns the 65-300/T2.8 into a 110-510/T4.9, Also works with the 280 mm Signature Prime, making it a 480/T4.9, Specifically designed to maintain the timeless Signature look. Go behind the scenes with wildlife filmmakers Implement Productions to get a first-hand look at how the Signature Zooms handle the extreme temperatures of Yellowstone National Park - even when used on another camera system. So, now there is an ARRI Signature lens system consisting of four Signature Zooms and sixteen Signature Primes. ARRI Signature Zoom Lenses. I always look for two things in a zoom lens: it should match well with the prime lens and have a bright aperture value. ARRI Signature Zooms are perfect for fast-paced feature and television productions with a long shelf life, as their look will improve with time rather than degrade. Signature Zooms meet the requirements of being efficient and economical, and are great lenses for the modern age. ARRI 45-135mm T2.8 Signature Zoom Lens with LPL Mount (Meters) Along with the new zooms, ARRI is also introducing a 1.7x extender, which is included with the 65 to 300mm and extends that lens’s focal-length range to 510mm. Mit einer Blendenöffnung von T2.8 sowie einer stabilen Ausleuchtung und Qualität über alle Brennweiten und Blendeneinstellungen hinweg soll auch die Bildkonsistenz bemerkenswert sein. Khalil H.A. I have been able to get early access to prototype versions of these lenses for a … Read more on newsshooter.com. Chief EFP camera operator Benny Chak from TVB. Wildlife cinematography is one of the most challenging professions which demands … Arri erweitert Signature-Objektivfamilie mit Zooms Vier Zooms, die den gleichen Look erreichen wie die Signature-Primes von Arri, verspricht der Hersteller bei seinen flammneuen Objektiven. I don’t use zoom lenses much compared to prime lenses, but the Signature Zooms are really useful and convenient. What cool lenses for the LF format! Like the Signature Primes, the resolution is very high, but skin tones are beautiful and soft. I got in touch with the product manager for lenses at ARRI, Thorsten Meywald to ask him some questions about the Signature Zooms. “The Heist” is a short by director Lesley Chilcott and cinematographer Logan Schneider which follows a cat burglar who breaks into the ARRI Los Angeles building to steal the latest technology. A requirement for near telecentricity is that the rear of the lens must be as large as the sensor. Light exiting the rear of the lens will strike the sensor at as close to a right angle as possible across the entire surface of the sensor. All rights reserved. It’s hard not to love the look these lenses create. 16 mm - 32 mm. They offer a fast stop of T2.8 across all four lenses, unrivalled focal length range, absolute image consistency, HDR compatibility, and 8K resolving power. With the short film, “Be my Sisters,” Chinese cinematographer/director Da Mi glimpses into the dynamic lives of modern Chinese women, capturing the natural skin tones and exceptional color rendition that set ARRI Signature Zooms apart from all other cine zoom lenses. ARRI Signature Zooms Review. It delivers its best optical performance with just those two lenses. Every Signature Zoom lens will have a dedicated aluminum case. Overview; Ultra Prime 8R; Ultra Prime LDS; Ultra Prime Lenses; Alura Zoom Lenses. Signature Primes were unveiled concurrently with … The zooms behaved phenomenally. No one will be surprised to find that the Signature Zooms are excellent in optical performance, but what really fascinates me is the image that they deliver. The Signature Zooms share the same timeless look as the Signature Primes. To learn more about the Signature Zoom lenses, visit www.arri.com. # ARRIASIA # ARRIJapan # SignatureZoom See More The widest, most consistent focal length range. “The goal of this shoot was to show the range of the first two Signature Zoom prototypes. ARRI introduces four Signature Zoom lenses: 16-32 mm T2.8, 24-75 mm T2.8, 45-135 mm T2.8, and 65-300 mm T2.8 (110.5-510 mm T4.95 with dedicated 1.7x extender). Changing from a Signature Zoom to another Signature Zoom or a Signature Prime does not result in a dramatic change in look. ARRI Signature Zoom 65-300/T2.8+ 1.7x Extender, MOD from sensor plane (minimum marked distance), Extender: 53.8 mm / 2.1'' - Extension by Extender: 36.8mm / 1.4'' - Lens + Extender: 456.8 mm / 18'', Entrance pupil position (related to image plane, in direction to object), 98.0° / 77.0° / 109.2° - 59.9° / 44.1° / 69.8°, 75.5° / 56.1° / 86.9° - 27.8° / 19.7° / 33.4°, 44.6° / 31.6° / 53.3° - 15.5° / 10.9° / 18.7°, 31.6° / 22.1° / 38.4° - 7.1° / 5.0° / 8.6°, 19.0° / 13.1° / 23.3° - 4.3° / 3.0° / 5.2°, Extender only: 115 mm / 4.5'' including handles - 170 mm / 6.69" with lens, Extender: 0.58 kg / 1 lb 4 oz - Lens + Extender: 8.7kg / 19 lb 2.9 oz, ARRI Signature Lenses - Primes and Zooms | Configuration Overview 3.1.0. 1 like • 3 shares. The ARRI Signature Zoom lenses have a 46mm image circle just like their prime counterparts and are capable of covering the ARRI LF sensor, RED VistaVision, Sony VENICE, or any Super 35 camera. by Jakub Han September 30 th, 2020. These are lenses which are suitable for any project. The color separation and detail in low light is exceptional, throughout the zoom range. Die 8K-Auflösung sowie die Schattenzeichnung eignen sich aus Sicht von Arri … ARRI has shared LPL specifications openly and free-of-charge across the industry, establishing the LPL lens mount as a standard interface between cameras and lenses. They seamlessly match when intercut with Signature Primes. Expand your technical know-how and discover the aesthetic aspects of our lenses. Arri Signature Zoom lenses deliver an outstanding optical and mechanical performance that exceeds other cine zooms on the market. Since there are magnetic rear filter holders that you can put anything in, you’re free to experiment with crazy ideas, and I love it when people think of crazy things. ARRI announced four new ARRI Signature Zoom cine lenses which offer the biggest combined cine zoom focal length range on the market – 16mm to 510mm. (Fotos: ARRI) Es wird immer Fälle geben, in denen die Prime-Objektive die erste Wahl am Set sind. Signature Look. Consistent Performance. Tap to unmute. Beautiful image – closer to a high-end prime than ever before, ARRI Signature Lenses - Primes and Zooms | Configuration Overview 3.1.0. Discover how retro filmmaking techniques such as nets, and diopters can help you customize the look of your Signature Prime lenses. Die ARRI-Signature-Zoom-Objektive sollen sich durch herausragende optische und mechanische Eigenschaften auszeichen. ARRI introduces four Signature Zoom lenses: 16-32 mm T2.8, 24-75 mm T2.8, 45-135 mm T2.8, and 65-300 mm T2.8 (110.5-510 mm T4.95 with dedicated 1.7x extender). Changing between metric and imperial scale (meters and feet) is quite simple. Every Signature Zoom will be delivered with a zoom lever, which you can mount at different positions and angles. Nasir flipped this story into AVP MULTIMEDIA • 18h. ARRI Signature Zoom Test Footage. Glass elements can be used to simulate vintage lenses, or anything from fishing line to stockings and vintage fabrics can be tried—each of them affecting bokeh, flaring, and diffusion in different ways. The ARRI Signature Zoom 1.7x Extender is a high-performance optical device which is optimized for the Signature Zoom 65-300/T2.8 and Signature Prime 280/T2.8. Watch the clip and see the lenses in action. Signature Primes are remarkably distortion free, to a degree only possible with prime lenses, so Signature Zooms will show more distortion by comparison, but considerably less than one might see in other zooms. Buy ARRI 24-75mm T2.8 Signature Zoom Lens with LPL Mount (Feet) featuring Covers Sensor Sizes up to Large Format, Suitable for 8K Image Capture, T2.8 to T22 Aperture over Entire Range, Matches Look of Signature Primes, Focus Scales Marked in Feet, LDS-2 Lens Data Compatible, Controlled Flares for HDR/Lower Contrast, 114mm Front Diameter, Weighs 9 Pounds, Works with Signature Rear Filter … ARRI Signature Prime and Signature Zoom lenses are equipped with the LPL (Large Positive Locking) lens mount. Image consistency is also unsurpassed, with a fast stop of T2.8 shared by all four lenses, as well as stable … Videography; Prototypes; Magazine. Matthew Allard ACS 17th May 2021. They made the work on set faster and easier, and our postproduction teams loved the outstanding image quality. There definitely will be no hesitation next time I get the chance to use it. It’s the very same timeless look that the Signature Primes are loved for. ARRI Alura 30-80mm T2.8 F Wide-Angle Zoom (LDS PL, Feet) B&H # ARAZ3080T28F MFR # K2.47937.0. ARRI Signature Prime and Signature Zoom lenses are equipped with the LPL (Large Positive Locking) lens mount. ARRI Product Manager Thorsten Meywald introduces the ARRI Signature Zooms, which match the natural skin tones, smooth focus fall-off, and timeless look of Signature Primes. ARRI Signature lenses cover a focal length range of 12 mm to 510 mm, which is the largest in the industry. By Matthew Allard ACS Matthew Allard is a multi-award-winning, ACS accredited freelance Director of Photography with 30 years' experience working in more than 50 countries around the world. Remote Phosphor Panels, Panel Carrying Bags, Conversion Filters, Softboxes, Accessory Holders & Speed Rings, Tiny Studio - No Automation - Stellar Control, Medium Studio - Full Automation - Redundant DMX Control, Small Studio - No Automation - DMX Control, Large Studio - Semi-Automated - IP and DMX Control, Medium Studio - No Automation - DMX Control, Large Studio - Semi-Automated - Redundant IP and DMX Control, Medium Studio - No Automation - Redundant IP and DMX Control, Software and Firmware Updates for Cameras, Software Update for Wireless Video System, Certified Training for Lighting Fundamentals, Rear diopters create a vintage canvas for ARRI Signature Prime lenses on Pepsi commercial, ARRI Multicam captures “Stay Live” concerts, ARRI technology and services behind Oscar® gold, ARRI ALEXA Minis and AMIRAs add cinematic imagery to Super Bowl Halftime Show. Indeed, the results speak for themselves. MOD from sensor plane (minimum marked distance). Rather than edges feeling hard or aliased, they feel smooth and natural. It is designed around the specific needs of digital cameras and will not work on film cameras. A lot of DPs understand what a 45-135 mm zoom will do, however a large format 65-300 mm zoom is a very new thing. What's old is new again! The ARRI Signature Zooms consists of four lenses and an extender: 45-135 mm T2.8 65-300 mm T2.8 16-32 mm T2.8 24-75 mm T2.8 1.7x extender LPL’s reduced flange depth allows for high-performance lens designs across multiple formats. ARRI Signature Zoom Test Footage. In addition, third parties offer LPL lens mounts for cameras, director's viewfinders, and lens testing tools, so ARRI Signatures and other LPL lenses can be universally used. You should expect Signature Zooms and Signature Primes to intercut seamlessly. We define the look and feel, and our manufacturers must achieve our goals within very fine tolerances. The Signature Zooms are very light. Adding a 1.7x extender to the 65-300 mm results in a zoom that no one has ever seen before. Implement Production's Phillip Baribeau discusses his experience using the 45-135, 65-300, and the 1.7x extender and how the ARRI Signature Zooms helped him see into the shadows. Aesthetically, yes. The four Signature Zooms, with an extender for the longest of them, cover a focal length range of 16 mm to 510 mm, which is the largest in the industry. Waylaid is a short film shot on the ARRI ALEXA LF, ALEXA Mini LF, Signature Primes, and Signature Zoom lenses by cinematographer Jimmy Matlosz. The ARRI Signature look is designed to meet the needs of HDR, both technically and aesthetically. He's used the lenses on everything from Justin Bieber's music videos to documentaries including the Bee Gees: How to Mend a Broken Heart. Similar to Signature Primes, you will see consistent corner illumination when these lenses are used at equivalent focal lengths. I’m also very impressed with their optical quality. Just remove the existing scale ring, turn it by 180° and assemble it again. Key Features. Overview; Alura Studio Zooms; Alura Lightweight Zooms There is no overall drop in exposure, only a subtle vignette designed to match the characteristics of ARRI Signature Primes. In this short interview, Da Mi talks about his first-hand experience with ARRI Signature Zooms 45-135/T2.8 and 65-300/T2.8, which he used for shooting the short film “Be My Sisters.” By detailing various scenes and creative choices, he explains how the lenses performed in different situations. One cinematographer describes the Signature look as “like looking through a beautiful window.”. No. The Signature Zooms definitely save time and money. Discover how retro filmmaking techniques such as nets, and diopters can help you customize the look of your Signature lenses. Accompanying and matching ARRI Signature Primes, the four new Signature Zoom lenses render the most natural and beautiful images ever seen from a cine zoom. They rendered skin tones well and were very pleasing to use. The Signature Zooms are a great complement to the arsenal of Signature Primes, matching in quality and characteristics. As displays increase in resolution and dynamic range, they feel more immersive. If the aperture value is bright, I can shoot without worrying about low-light use. 65 mm - 300 mm. Focus Scales Marked in Feet, PL Mount. ARRI kündigt vier neue Signature-Zoom-Objektive an, die für den universellen Einsatz mit jeder Large-Format- und Super-35-Kamera entwickelt wurden. ARRI Signature Zoom lenses hope to deliver an optical and mechanical performance that exceeds other cine zooms on the market. ARRI Signature Zoom 65-300/T2.8. To me they don’t feel inferior to primes, especially with the T2.8 aperture, which is very convenient and undoubtedly reduces the lighting setup. Die Objektive decken mit einem 1,7-fachen Extender für das 65-300mm-Zoom einen Brennweitenbereich von 16 bis 510 mm ab, und zwar mit einer Blendenöffnung von T2.8 und einer, wie ARRI sich ausdrückt, “stabilen Ausleuchtung”. And they’re still light enough for me to shoot handheld. Copyright © 2021 ARRI AG. Share this article . Signature Zooms have exactly the same style as the Signature Primes – natural, crisp, and sharp on the one hand, but soft and aesthetic on the other. The new ARRI Signature Zooms are put through an action sequence test shoot involving high contrast, low light, and flaring. Share. Damit reagiert ARRI auf die Nachfrage nach hochwertigen Zoom-Optiken, die zu den Signature Primes passen und sie ergänzen. Check it out. T2.8 to T22 Maximum Aperture. Our Signature Zoom manufacturing partner produces high-precision optics for a number of other industries, and has never made a cinema lens before. ARRI LPL lens mounts are available for ALEXA 65, ALEXA LF, ALEXA Mini LF, ALEXA Classic/XT/SXT, ALEXA Mini and AMIRA cameras. 24 mm - 75 mm. ARRI Signature Zoom lenses. Large-format shooting is a big trend in the film industry, and I've always been searching for large-format zoom lenses that are compatible with prime lenses. The extender turns the 65-300 mm T2.8 into a 110-510 mm T4.9 and the 280 mm T2.8 into a 480 mm T4.9. Accompanying and matching ARRI Signature Primes, the four new Signature Zoom lenses render the most natural and beautiful images ever seen form a cine zoom. Completely eliminating any one aberration results in enhancing another, so we pursued a balanced approach such that no single aberration stands out. When you use the extender with these two lenses you have to remove the Magnetic Rear Filter Holder from the base lens and put it onto the rear of the extender. Their center resolution, warm hue, skin tone rendition, bokeh, and focus roll-off are a perfect visual match. Die Signature Zooms mit den Brennweiten 45 bis 135 mm T2.8 sowie 65 bis 300 mm T2.8 (mit einem speziellen 1,7-fachen Extender, der es zu einem 110 bis 510 mm T4.9 macht) wiegen 3,75 Kilogramm respektive 8,1 Kilogramm und sollen im Laufe des ersten Quartals 2021 erhältlich sein. Deshalb weist Arri besonders darauf hin, dass die Signature-Zooms zukunftssicher designt seien: Da der Look nicht auf optischen Aberrationen basiert, seien HDR- und UHD-Workflows einfacher möglich als bei anderen Objektiven. No. The four Signature Zooms, with an extender for the longest of them, cover a focal length range of 16 mm to 510 mm, which is the largest in the industry. It will also save time during grading. All rights reserved. They work just as well with Super 35 sensors as they do with large-format sensors, and they perform spectacularly on cameras with both small and large pixel pitches. Watch later. All ARRI lenses are built from scratch to our exact specifications. Die Qualität … The Signature Zooms give you the unsurpassed image quality that the Signature Primes also have. They cover Large Format / Full Frame and have LPL mounts. Aber als logische Erweiterung der Signature-Familie erhöhen die Signature- Zooms die Anzahl an Situationen, in denen die zeitsparenden und praktischen Vorteile der Zooms … The ARRI Signature Zoom 1.7x Extender is a high-performance optical device which is optimized for the Signature Zoom 65-300/T2.8 and Signature Prime 280/T2.8. Overview; ARRI Master Anamorphic - Technical Data; Ultra Prime Lenses. It delivers its best optical performance with just those two lenses. Overview; ARRI Signature Zoom - Technical Data; Master Prime Lenses. Designed for any large-format or Super 35 camera, they are uniformly fast at T2.8 and offer an unrivalled focal length range. The filter holder accommodates a wide variety of materials, allowing filmmakers to experiment as much as they want. All Signature lenses are near telecentric. 45 mm - 135 mm. Vier neue Signatuer-Zoom-Linsen sind von Arri für 2021 angekündigt. Hear important insights and even some secrets about the ARRI Signature lenses directly from the product manager Thorsten Meywald. The ARRI Signature Zoom 1.7x Extender is a high-performance optical device that is optimized for the Signature Zoom 65-300/T2.8 and Signature Prime 280/T2.8. ARRI behauptet, dass kein anderes Zoom-System ein solch hohes Maß an … Copyright © 2021 ARRI AG. The arrival of the Signature Zooms for large format has been long-awaited. This made them receptive to crafting a lens with a radical new look for digital cinema, as they had no preconceived notions regarding what a cinema lens should look like. ARRI Signature Zoom Showreel "The Heist" - YouTube. This eliminates a number of digital sensor-specific optical and color problems and should work with all foreseeable future sensor designs. What's nice is the fast T2.8 aperture is consistent across each zoom and they've been designed to reconcile 8K resolution and HDR workflows. 9-Blade Iris, Supports 2K/4K+ Output. newsshooter.com - Matthew Allard ACS • 18h. Take a look at this in-depth 83 pages guide which contains all ARRI cameras, lenses, and accessories you can think of. Significant extension of the Signature lens family, with the same timeless look as Signature Primes. The T2.8 lenses – 65-300mm (plus 1.7x extender), 45-135mm, 24-75mm, and 16-32mm – cover large format sensors and their design accommodates HDR and 8K resolution. Covers Super35 Sensor, LDS Support. ARRI announces four new Signature Zooms designed for universal usage with any large-format or Super 35 camera. Learn more about open shadows, chromatic or spherical aberration, bokeh, and flares while witnessing the variety of creative opportunities available using the magnetic rear filter holder. No other manufacturer offers this degree of creative customization across a range of matched primes and zooms. ARRI kündigt vier neue Signature-Zoom-Objektive an, die für den universellen Einsatz mit jeder Large-Format- und Super-35-Kamera entwickelt wurden. This is by design. For this reason, a PL mount lens can never be made telecentric for a large-format sensor. ARRI Signature Zoom on a RED camera Wildlife cinematography . No, only the Signature Prime 12/T1.8, the Ultra Wide Zoom 9.5-18/T2.9, and the Anamorphic Ultra Wide Zoom 19-36/T4.2 have optical image rotation. September 23, 2020. ARRI Signature Zoom 65-300/T2.8. Since there are magnetic rear filter holders, you're welcome to think of something crazy, and I love it when people think of crazy things.” Veteran Japanese DP Sohei Tanigawa, JSC on the unique look of Signature Zooms. The skin tone performance is exceptional and they have quite a low dispersion, which is critical when shooting with zoom lenses in very bright environments. There are many aspects of the ARRI Signature Zooms’ design that contribute to their light weight. Damit reagiert ARRI … There is no exposure ramping whatsoever, and the bokeh is beautiful. See All Details. I really like the range of the lenses, which go from offering great portrait-style options all the way to the true long-lens feel of a proper zoom. The exposure in the center of the image DOES NOT CHANGE with focal length. Die ARRI-Signature-Zoom-Objektive wurden für den universellen Einsatz mit jeder Large-Format- und Super-35-Kamera entwickelt. ARRI has published the updated version of its most comprehensive document, the Configuration Overviews, which now includes the newly announced Signature Zoom lenses. He is the Editor of Newsshooter.com and has been writing on the site … Lens aberrations, such as chromatic aberration, become more noticeable and distracting. It’s a beautiful image that I could look at forever. When you use the extender with these two lenses you have to … On previous shoots I have found DPs to be reluctant to use a zoom, but I only heard positive feedback from our crew when we tried the Signature Zooms. If I hadn't shot the images myself, it would be very difficult for me to tell which ones were prime and which were zoom. Focal length. ARRI Signature Primes show this effect at T1.8, transitioning to perfectly round bokeh by T2.5. We can only guarantee mechanical clearance for these two lenses, so please don’t use the extender with any other lenses. According to filmmaker Phillip Baribeau, the ARRI Signature Zooms combined with a RED camera are the perfect tools for wildlife cinematography in extreme conditions (-20 celsius). The detachable ARRI Magnetic Rear Filter Holder for Signature lenses opens up all kinds of customized looks, without having to disassemble the lens. We then built our look upon this base. I want to use them for a project that requires a unique look by changing the front or rear parts of the lens. I especially love that the whole Signature lens series has the magnetic rear filter holder, which I’ve always felt opens up all kinds of personalized creative looks and possibilities. A wider diameter and shorter flange focal depth allow LPL lenses to be small and lightweight, with a fast T-stop and pleasing bokeh—a combination of … They cover Large Format / Full Frame and have LPL mounts. Every lens offered for sale under the ARRI name is an original design, and the Signature lenses are no different. So, now there is an ARRI Signature lens system consisting of four Signature Zooms and sixteen Signature Primes. Vier Zooms und ein Extender: Die Signature-Familie wird erweitert. An exceptionally high-resolution lens resolves the transitions across edges with greater accuracy, resulting in an image that captures all the detail present in the scene, but without harshness. The contrast and sharpness of the Signature Zooms is incredible. ARRI Signature Zooms see the same change from T2.8 to T5.6. At the wide end, where backgrounds tend to be sharper and focus breathing is more obvious, they show no visible breathing. Info. There are no other lenses that satisfy these requirements better than the Signature Zooms.
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