Touch Preview and Touch Cue are among the new features of the flagship device. Your email address will not be published. These operate at 200Hz and 5kHz, and can be adjusted to suit taste or the room characteristics. Request a new review. We're told that the performance of this tweeter in terms of distortion is significantly better than existing high‑end hi‑fi designs, and while some metal tweeters, particularly undamped titanium, can sound harsh and splashy, this one seems very well behaved.
The design brief was to achieve the performance of a three‑way system using only two drivers, with the aim of delivering an extended bass and accurate mid‑range with the lowest possible distortion. Third-harmonic distortion is quoted (measured at 90dB SPL, 1m) as: 500‑7kHz, 0.08 percent; 200‑20kHz, 0.2 percent; and <200Hz, 1.5 percent. When no audio is being fed to the speakers, the resting power consumption is around 20W. Elissa Stolman hears about her process. New versions of Dave Smith's groundbreaking polysynth will be available this month. The controls for the user-adjustable filters used to match performance to room position are on the front panel, where they can be seen and adjusted with minimum effort, but they're covered by a rubber panel when not in use.

Underpinning the sound is the eight‑inch EX8 driver, which it is claimed has a 30Hz to 10kHz raw response (measured without the filtering effects of the crossover or the ported cabinet). If the third red LED lights, there's a fault requiring service. Whereas tapping a conventional speaker cabinet often produces a noticeable 'thunk', tapping these has about the same sonic result as tapping a car cylinder head! Inside the studio (and creative mind) of a true house music innovator. It's a new version of the Bass Station II, which also comes with presets from Richard Devine. Event have been building studio monitors for 15 years, but since they were acquired by the owner of Australian mic manufacturers Rode, there have been big changes, and the new, high‑end Opal monitor signals a completely new direction. It has been in development for several years, and It seems that the designers were instructed to aim for the best possible performance and worry about the price later.

It comes from a new design team, is manufactured in Australia rather than the Far East, and is aimed squarely at the audio professional and the top end of the project studio market.

Having established the credentials of the drivers and the cabinet, what about the amplifiers driving them? On the face of it, Event might seem to be doing exactly the reverse, but by making their first new model since the company's change of ownership a very high‑end speaker that can live up to its not inconsiderable marketing claims, they seem to be on the right path to establish a provenance that will see the brand viewed in an entirely different light in future years. 4 million dollars later and the Opal was born.

The woofer amplifier is continuously rated at 387W into 5Ω (270W long term), while the HF amp is rated at 112W continuous or 50W long term, again into a 5Ω load. For example, the bass ports are shaped to present a 'Variable Impedance', to minimise port noise, while the aluminium cabinet's shape is based on gentle curves, to avoid cabinet-edge diffraction and to keep box resonances to an absolute minimum. Event Electronics Opal: chandrasekar 's user review 5 Mastering Essentials Part 3 - How loud should I master? All the cooling is done by convection, so there are no noisy fans. Required fields are marked *. For example, the bass ports are shaped to present a ‘Variable Impedance’, to minimise port noise, while the aluminium cabinet’s shape is based on gentle curves, to avoid cabinet-edge diffraction and to keep box resonances to an absolute minimum. If you have this much to spend on two‑way monitors, you have a huge choice, with many models costing rather less than the Opal. Win! Indeed, I'd love to have a pair of these in the lounge for serious music listening. Size is 17.7" high by 11.6" wide by 10.8" deep. Similar dual‑coil systems have been tried in the past, with varying degrees of success, so the general idea isn't new, but the driver needs to have a large physical excursion range to make this work correctly. Asymmetrical port geometry with an internal 180‑degree bend is used to reduce port noise (sometimes known as 'chuffing'), and the variable impedance that comes about as a function of the port shape results in a lower air velocity at the port's outlet. Amongst those earning rave reviews and praise are the Event Opal monitors so, despite having been available for a while, we decided it was time we had an in-depth look and listen for ourselves. The design mission with the Opals was ambitious: to build the highest quality active monitoring system possible using a two-way system, which nevertheless matched performance levels of three-way … The laws of physics impose certain boundaries, but this design pushes them back by using novel technology in both the driver design and the cast-metal enclosure. A since-deleted video has led to an outpouring of criticism against the music tech giant. Twin bass‑reflex ports are built into the front sides of the baffle to avoid unfavourable interaction between rear ports and nearby walls — which is a potential problem with rear ports. This uses a carbon-fibre‑reinforced, paper‑pulp cone, driven by a 66mm copper‑clad aluminium voice‑coil, wound onto a robust polyamide/glass‑fibre former and powered by a neodymium magnetic assembly. Waveguides place additional air loading on the tweeter diaphragm, so a metal dome was chosen to provide correct pistonic action over its working frequency range; softer dome material can deform under load and introduce distortions. On paper, the Event Opal Studio Monitors follow the familiar active, two‑way, ported box format, with an eight‑inch woofer and a one‑inch tweeter, but there’s a lot going on in there that isn’t obvious at first glance. Event Opal Studio Monitors Review in Mix magazine product review of the Event Opal Studio Monitors "Traditionally the Achilles’ heel in most two-way designs, Opals’ excellent midrange definition and detail made a huge difference when working with vocals, letting me clearly hear nuances in mic/preamp selections when tracking or making subtle signal processing decisions in the mix. Released with a suite of tutorial videos, it's designed as an entry-path to making beats. Paper specifications, though, don't tell the full story: the only valid test is to see how well it does the job in a typical control room, and how well mixes made on this speaker 'travel'. Amongst those earning rave reviews and praise are the Event Opal monitors so, despite having been available for a while, we decided it was time we had an in-depth look and listen for ourselves. The cabinet base is slightly curved so that the position of the speaker on the pad can be used to adjust the vertical angle.

In short, what we have is a monitor that's capable of levels of up to 111dB at 1m (long term 80Hz‑20kHz) or 114dB peak, and a frequency response, between ‑3dB points, of 35Hz to 22kHz. All rights reserved. A soft‑clipping circuit is used to maintain a better wave shape, should the generously rated amplifiers ever be driven into clipping, and has the effect of reducing the perceived level of distortion when the monitors are used at very high levels — but with up to 1kW peak capability you'd have to be running pretty hot to induce clipping!
Not only does this reduce noise, it also helps to further cut down distortion. Event have been building studio monitors for 15 years, but since they were acquired by the owner of Australian mic manufacturers Rode, there have been big changes, and the new, high‑end Opal monitor signals a completely new direction. An Honest Pioneer XDJ-XZ Controller Review [2020], An Honest Pioneer XDJ-1000MK2 DJ Controller Review. Extremely clean, tight audio performance, with good bass extension and a fast, yet smooth, response to transients. We all know how important high-quality monitoring is in the studio; there is simply no point in having all of the synths, effects processors and fancy plug-ins in the world if you can't do them and your mixes justice.

Some 'ultra accurate' speakers attract criticism for sounding a little uninteresting, but that's not the case with the Opals: they just act as a clean window into the mix, so if you have a lively‑sounding mix, it will still sound lively played over the Opals. Event call this technology X‑Coil, and they claim that it provides greater control over the cone, resulting in better transient handling and lower distortion.


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